Banksy: The Enigmatic Artist Challenging Societal Norms
Banksy is a pseudonymous England-based street artist whose true identity remains a mystery to the public. Active since the 1990s, his distinctive stenciled artwork often features striking and thought-provoking imagery, accompanied by dark humor and political, social, or cultural commentary. Banksy's art has gained international recognition and sparked widespread debate, turning him into a symbol of subversive and countercultural expression.
Blurring the lines between vandalism and public art, Banksy's works can be found on walls, streets, and bridges across the world, often appearing overnight and surprising unsuspecting viewers. His art tackles diverse subjects, such as war, capitalism, surveillance, and the plight of refugees, challenging societal norms and inviting viewers to question the world around them. Despite his anonymity, Banksy continues to leave an indelible mark on the global art scene, with his creations becoming cultural touchstones and inspiring a new generation of street artists.
Banksy's work has faced criticism from those who argue that his commercial success and mainstream appeal have contributed to the gentrification of street art. Critics contend that his popularity has led to the appropriation and commodification of a once-rebellious art form, transforming it into a lucrative business that caters to wealthy collectors and investors.
Our project aims to analyze and illustrate the ways in which Banksy's art has become intertwined with mainstream culture, despite its roots in rebellion and subversion. By delving into the interconnectedness of his creations and their influence on popular media, consumer products, and public discourse, we seek to shed light on the complexities and contradictions surrounding Banksy's rise to fame.
Through the use of Linked Open Data, we explore the broader context of Banksy's work, revealing its relationships with contemporary events, artistic movements, and socio-political issues. By doing so, our project offers valuable insights into how the artist's provocative imagery has managed to capture the public's imagination, subsequently leading to its integration into the mainstream cultural landscape. Additionally, we examine the implications of this phenomenon, considering the potential impact on the future of street art and the ever-evolving role of art in society.
ITEMS
- All
- Images
- Texts
- Map
![](assets/img/newyourker.png)
Banksy was here. The invisible man of graffiti art
Article summarizes all opinions about Banksy and what an artists says about his arts. Banksy sees himself as a “quality vandal,” operates in secret, but his scenes of anti-authoritarian whimsy have won him a colossal following. “The art world is the biggest joke going,” he has said. Also the text shows a lot of details about how Banksy promotes himself and his works. Lazarides, his agents, play a big role in the media success of Banksy.
Conceptual Map
Our project is centered on the study of Banksy and his artwork. The items we have selected provide a comprehensive understanding of the various aspects and controversies surrounding his artistic career. The objective of our conceptual map is to effectively represent the data obtained from these items, all presented in natural language. This process includes not only the accurate extraction of information from the chosen resources but also the identification and depiction of the relationships between them.
Metadata Alignment
In this key step of our project, we align the metadata from different institutions and standards, connecting the items in a clear and consistent manner. Our main goal is to use shared semantic ontologies to present data coherently. By effectively aligning metadata, we can create a unified understanding of the information
Property | Schema.org | DC | MARC21 | CIDOC CRM | NewsML | KML |
---|---|---|---|---|---|---|
Creator | Creator | creator | 100 - Main Entry - Personal Name | E39 Creator P94 has created (was created by) P14 carried out by (performed) |
creator | - |
Author | Author | creator | 100 - Main Entry - Personal Name | P94_has_created (was_created_by) -> P14_carried_out_by E39_Actor |
name | atom:author |
Contributor | Contributor | contributor | 710 - Added Entry - Corporate Name | P11_had_participant | provider | - |
Publisher | Publisher | publisher | 100 - Main Entry - Personal Name | E39 Creator P94 has created (was created by) P14 carried out by (performed) |
creator | - |
Property | Schema.org | DC | MARC21 | CIDOC CRM | NewsML | KML |
---|---|---|---|---|---|---|
Current location | address | location | 852 - Location | P55_has_current_location | locality | address |
Creation Location | locationCreated | location | 260 - Publication, Distribution, etc. (Imprint) | P168 place is defined by (defines place) P53_has_former_or_current_location |
located | - |
Property | Schema.org | DC | MARC21 | CIDOC CRM | NewsML | KML |
---|---|---|---|---|---|---|
Creation Date | dateCreated | created | 388 - Time Period of Creation | P4 has time-span (is time-span of) | contentCreated | - |
Publication Date | datePublished | created | 362 - Dates of Publication and/or Sequential Designation | P4 has time-span (is time-span of) | contentCreated | TimeSpan |
Date of Foundation | dateCreated | created | - | P92_was_brought_into_existence_by -> E63_Beginning_of_existence -> P4_has_time-span->E52_Time-Span |
- | - |
Property | Schema.org | DC | MARC21 | CIDOC CRM | NewsML | KML |
---|---|---|---|---|---|---|
Type | category | type | 336 - Content Type | E55 Type P2_has_type |
type | - |
Subject | about | subject | 072 - Subject Category Code | P129 is about (is subject of) P104 is subject to (applies to) |
- | - |
Title | name | title | 240 - Uniform Title | E35 Title P102 has title (is title of) P37 assigned (was assigned by) |
title | - |
Language | Language | language | 041 - Language Code | P72_has_language > E56_Language |
language | - |
Creation Date | dateCreated | date | 388 - Time Period of Creation | P4 has time-span (is time-span of) | contentCreated | - |
E/R Model
The entity-relationship model serves as the second layer of abstraction for our project, showcasing data and relationships derived from the conceptual map. In this model, we represent various elements such as people, dates, subjects, and places as entities, while capturing the connections between them as relationships. This approach enables a structured and systematic representation of the information and associations present within the conceptual map.
![](assets/img/E_R Model.jpg)
Theoretical Model
The theoretical model displays a new level of interpretation. The model is enriched with information from the Web. The goal is to answer these questions:
Our theoretical model will address four key aspects:
- WHO? People related to the main topic and their role.
- WHAT? Description of the objects: their scope and features.
- WHERE? Places and meaningful locations.
- WHEN? Relevant dates and events.
![](assets/img/TheoreticalModel.jpg)
Data Description
CSV files have been created for each item based on the conceptual model. These files are structured with columns corresponding to subject/predicate/object triples, where subjects and objects are in natural language, and predicates are represented as properties from the chosen ontologies.
The goal is to provide a meaningful representation for each cultural artifact. CSV files can be found and downloaded on the individual web pages of each item.
Additionally, RDF visualizations are available for each item on its web pages. The visualizations aim to present a graphical representation of the relationships and connections between entities, offering an intuitive way to understand the structure and context of the described items.
Subject | Predicate | Object |
---|---|---|
Article | rdf:type | crm: E31 Document |
Article | Schema:category | Article |
Article | Schema:datePublished | "May 7, 2007" |
Article | Schema:Publisher | The New Yorker |
Article | Schema:Language | English |
Article | Schema:Author | Lauren Collins |
Article | Schema:About | Anonymity and criticism |
Article | Schema:About | Banksy |
Article | Schema: About | bnksy:Girl with Balloon |
Subject | Predicate | Object |
---|---|---|
ex:Mural | rdfs:label | ex:Title1, ex:Title2 |
ex:Mural | rdf:type | crm:E22_Man-Made_Object |
ex:Mural | crm:P53_has_former_or_current_location | ex:MuralLocation |
ex:Mural | crm:P129_is_about | ex:MuralTopic |
ex:Mural | crm:P14_carried_out_by | viaf:51384525 |
ex:Mural | crm:P108i_was_produced_by | ex:MuralProduction |
ex:MuralLocation | rdf:type | crm:E53_Place |
ex:MuralLocation | geo:lat | 51.5086 |
ex:MuralLocation | geo:long | -0.1169 |
ex:MuralLocation | crm:P87_is_identified_by | ex:MuralLocationName, ex:MuralLocationAddress |
ex:MuralProduction | rdf:type | crm:E12_Production |
ex:MuralProduction | crm:P14_carried_out_by | ex:Banksy |
ex:MuralProduction | crm:P33_used_specific_technique | ex:StencilStreetArt |
ex:MuralProduction | crm:P4_has_time-span | ex:MuralTimeSpan |
ex:MuralProduction | crm:P14_carried_out_by | viaf:51384525 |
ex:MuralProduction | crm:P32_used_general_technique | aat:300056477 |
ex:StencilStreetArt | rdf:type | crm:E29_Design_or_Procedure |
ex:StencilStreetArt | rdfs:label | "Stencil Street Art" |
ex:Banksy | rdf:type | crm:E39_Actor |
ex:Banksy | rdfs:label | "Banksy" |
ex:Banksy | crm:P131_is_identified_by | ex:BanksyName |
ex:BanksyName | rdf:type | crm:E82_Actor_Appellation |
ex:BanksyName | rdfs:label | "Banksy" |
ex:BanksyName | crm:P2_has_type | ex:BanksyNameType |
ex:MuralLocationName | rdf:type | crm:E44_Place_Appellation |
ex:MuralLocationName | rdfs:label | Waterloo Bridge |
ex:MuralLocationAddress | rdf:type | crm:E45_Address |
ex:MuralLocationAddress | rdf:label | London, UK |
ex:MuralTimeSpan | rdf:type | crm:E52_Time-Span |
ex:MuralTimeSpan | crm:P82a_begin_of_the_begin | 2002 |
ex:MuralTimeSpan | crm:P82b_end_of_the_end | 2008 |
ex:Title1 | rdf:type | crm:E35_Title |
ex:Title1 | rdfs:label | "Girl with Balloon" |
ex:Title2 | rdf:type | crm:E35_Title |
ex:Title2 | rdfs:label | "There is Always Hope" |
ex:MuralTopic | rdf:type | crm:E89_Propositional_Object |
ex:MuralTopic | rdfs:label | "Hope" |
ex:BanksyNameType | rdf:type | crm:E55_Type |
ex:BanksyNameType | rdfs:label | "Pseudonym" |
Subject | Predicate | Object |
---|---|---|
Ex:Exhibition | crm:P102_has_title | Jago, Banksy, TVboy e altre storie controcorrente |
Ex:Exhibition | rdf:type | crm:E5_Event |
Ex:Exhibition | crm:P7_took_place_at | Ex:ExhibitionVenue |
Ex:Exhibition | crm:P4_has_time-span | Ex:ExhibitionTimeSpan |
Ex:Exhibition | crm:P129_is_about | Non-conventional art |
Ex:Exhibition | crm:P14_carried_out_by | Ex:Artemisia, Ex:PopHouse, Ex:CuratorPiernicolaMariaDiIorio |
Ex:ExhibitionTimeSpan | rdf:type | crm:E52_Time-Span |
Ex:ExhibitionTimeSpan | crm:P82a_begin_of_the_begin | Nov 11 2022 |
Ex:ExhibitionTimeSpan | crm:P82b_end_of_the_end | May 7 2023 |
Ex:ExhibitionVenue | rdf:type | crm:E53_Place |
Ex:ExhibitionVenue | rdfs:label | Palazzo Albergati |
Ex:ExhibitionVenue | crm:P87_is_identified_by | Ex:ExhibitionVenueName, Ex:ExhibitionVenueAddress |
Ex:ExhibitionVenue | geo:lat | 44.48991 |
Ex:ExhibitionVenue | geo:long | 11.33439 |
Ex:ExhibitionVenue | crm:P89_falls_within | Ex:Bologna |
Ex:ExhibitionVenueName | rdf:type | crm:E44_Place_Appellation |
Ex:ExhibitionVenueName | rdfs:label | Palazzo Albergati |
Ex:ExhibitionVenueAddress | rdf:type | crm:E45_Address |
Ex:ExhibitionVenueAddress | rdfs:label | via Saragozza 26-28, Bologna, Italy |
Ex:Artemisia | rdf:type | crm:E39_Actor |
Ex:Artemisia | rdfs:label | Artemisia |
Ex:PopHouse | rdf:type | crm:E39_Actor |
Ex:PopHouse | rdfs:label | Pop House Gallery |
Ex:CuratorPiernicolaMariaDiIorio | rdf:type | crm:E39_Actor |
Ex:CuratorPiernicolaMariaDiIorio | rdfs:label | Piernicola Maria Di Iorio |
Ex:CuratorPiernicolaMariaDiIorio | crm:P2_has_type | Ex:CuratorRole |
Ex:Bologna | rdf:type | crm:E53_Place |
Ex:Bologna | rdfs:label | Bologna |
Ex:Bologna | crm:P89_falls_within | Ex:Italy |
Ex:Italy | rdf:type | crm:E53_Place |
Ex:Italy | rdfs:label | Italy |
Subject | Predicate | Object |
---|---|---|
Instagram Page | dcterms:type | Social media platform |
Instagram Page | dcterms:created | October 1, 2013 |
Instagram Page | crm:P65 shows visual item | bnksy:Mural |
Instagram Page | dcterms:creator | crm: E21 Person |
Subject | Predicate | Object |
---|---|---|
Biography | Dcterms:about | Banksy |
Biography | Dcterms:language | English |
Biography | Dcterms:ispartof | Wikipedia (electronic resource) |
Biography | Dcterms:created | 10 December 2003 |
Subject | Predicate | Object |
---|---|---|
map | dcterms:ispartof | schema:VirtualLocation |
map | Schema:category | Schema: WebPage |
map | kml:TimeStamp | 11 April 2023 |
map | dcterms:about | crm: E21 Person |
Subject | Predicate | Object |
---|---|---|
Article | rdf:type | Article |
Article | dcterms:Creator | Chelsea White |
Article | dcterms:ispartof | MailOnline |
Article | dcterms:created | "March 14, 2014" |
Article | dcterms:about | Justin Bieber |
Article | dcterms:about | Banksy |
Justin Bieber | schema:owns | Tattoo |
Tattoo | crm:P130_shows_features_of | "Girl with Balloon, There is Always Hope" |
Tattoo | Dcterms:creator | Glen Hartless |
Justin Bieber | rdf:type | Singer |
Glen Hartless | rdf:type | Tattooist |
Tattoo | Dcterms:created | 12 March 2014 |
Tattoo | Schema:additionalType | Controversial |
Article | dcterms:language | English |
Subject | Predicate | Object |
---|---|---|
Documentary | Schema:category | Documentary |
Documentary | Schema:dateCreated | 2020 |
Documentary | Schema:Language | English |
Documentary | Schema:Author | Elio Espana |
Documentary | Schema:Creator | Spiritlevel Cinema |
Documentary | Schema:Publisher | YouTube channel Perspective |
Documentary | Schema:About | Banksy |
ex:Elio Espana | Rdf:label | Schema:director |
Documentary | dcterms: title | Banksy and The Rise of Outlaw Art |
Subject | Predicate | Object |
---|---|---|
Private limited Company | Schema:category | Private limited Company |
Private limited Company | Schema:dateCreated | January 14, 2008 |
Private limited Company | Schema:knowsAbout | copyright for Banksy's art objects |
Private limited Company | Schema:locationCreated | London, United Kingdom |
Private limited Company | dcterms: title | Pest Control Office |
Subject | Predicate | Object |
---|---|---|
Wall and Piece | Marc21:336-Content_Type | Book |
Wall and Piece | Marc21:020-International_Standard_Book_Number | 1844137864 |
Wall and Piece | Marc21:041-Language_Code | English |
Wall and Piece | Marc21:100-Main_Entry-Personal_Name | Banksy |
Wall and Piece | Marc21:260-Publication_Distribution_Etc. | United Kingdom |
Wall and Piece | Marc21:362-Dates_Of_Publication_And/or_Subsequent_Designation | 2005 |
Wall and Piece | Marc21:710-Added_Entry-Corporate_Name | Century |
Century | Rdf:label | Random House Group |
Wall and Piece | dcterms: title | Wall and Piece |
Random House Group | Rdf:type | Publisher |
Random House Group | Schema:dateCreated | 1927 |
Random House Group | Schema:location | New York, USA |
RDF Production
In the next part of the project, the focus will be on two primary steps: minting URIs and writing rdf triples.
RDF triples are written in the Turtle format.
- https://w3id.org/banskyproject/Mural
- https://w3id.org/banskyproject/MuralLocation
- https://w3id.org/banskyproject/MuralProduction
- https://w3id.org/banskyproject/StencilStreetArt
- https://w3id.org/banskyproject/Banksy
- https://w3id.org/banskyproject/BanksyName
- https://w3id.org/banskyproject/MuralLocationName
- https://w3id.org/banskyproject/MuralLocationAddress
- https://w3id.org/banskyproject/MuralTimeSpan
- https://w3id.org/banskyproject/GirlWithBalloonTitle1
- https://w3id.org/banskyproject/GirlWithBalloonTitle2
- https://w3id.org/banskyproject/MuralTopic
- https://w3id.org/banskyproject/BanksyNameType
- https://w3id.org/banskyproject/WallAndPiece
- https://w3id.org/banskyproject/StreetArt
- https://w3id.org/banskyproject/Graffiti
- https://w3id.org/banskyproject/Century
- https://w3id.org/banskyproject/RandomHouseGroup
- https://w3id.org/banskyproject/Article
- https://w3id.org/banskyproject/TheNewYorker
- https://w3id.org/banskyproject/LaurenCollins
- https://w3id.org/banskyproject/AnonymityAndCriticism
- https://w3id.org/banskyproject/Exhibition
- https://w3id.org/banskyproject/NonConventionalArt
- https://w3id.org/banskyproject/Artemisia
- https://w3id.org/banskyproject/PopHouse
- https://w3id.org/banskyproject/CuratorPiernicolaMariaDiIorio
- https://w3id.org/banskyproject/CuratorRole
- https://w3id.org/banskyproject/ExhibitionTimeSpan
- https://w3id.org/banskyproject/ExhibitionVenue
- https://w3id.org/banskyproject/ExhibitionVenueName
- https://w3id.org/banskyproject/ExhibitionVenueAddress
- https://w3id.org/banskyproject/Biography
- https://w3id.org/banskyproject/WikipediaElectronicResource
- https://w3id.org/banskyproject/News
- https://w3id.org/banskyproject/ChelseaWhite
- https://w3id.org/banskyproject/MailOnline
- https://w3id.org/banskyproject/JustinBieber
- https://w3id.org/banskyproject/Tattoo
- https://w3id.org/banskyproject/GlenHartless
- https://w3id.org/banskyproject/InstagramPage
- https://w3id.org/banskyproject/InstagramPost
- https://w3id.org/banskyproject/Map
- https://w3id.org/banskyproject/Documentary
- https://w3id.org/banskyproject/ElioEspana
- https://w3id.org/banskyproject/SpiritlevelCinema
- https://w3id.org/banskyproject/YouTubeChannelPerspective
- https://w3id.org/banskyproject/PrivateLimitedCompany
- https://w3id.org/banskyproject/BanksyCopyrightManagement
RDF Visualisation
The RDF visualizations for all items, as well as the entire project, have been created using the RDF Grapher tool.
Team
![](assets/img/team/team-1.jpg)
Matteo Particco
History and Oriental Studies![](assets/img/team/team-2.jpg)
Olga Makarkina
DHDK![](assets/img/team/team-3.jpg)
Ulzhan Baizhankyzy
DHDK![](assets/img/team/team-4.jpg)